Yuji's journey in JJK turned out to be a phenomenal one in ... another individual who had a profound effect on Yuji's life was none other than Choso. Fans know Choso to be a very important ...

By Jin Yu Young and Choe Sang-Hun Reporting from Seoul The former president of the company that operates the South Korean airport where a Jeju Air jet crash-landed last month has been found dead ...

“Jaime Duzz, are you dead?” It seems like a silly question, but the fact is, it is a really serious question for her — with complex answers still unanswered on how she is considered in some ...

Nobara's battle with Mahito ended with her character presumed to be dead. This was the consensus ... which has been used in several cases. When Choso is about to deliver the lasting blow to ...

Ingrid Vasquez is a Digital News Writer at PEOPLE. She graduated from The University of Texas at Austin with a Bachelor in Journalism. Before joining the team, she worked as an Editor at FanSided ...

His brother, Choso, mentioned that Yuji shouldn’t worry ... These cursed techniques are the most dangerous to face in JJK. He understands that the path to becoming strong requires guidance ...

David Lynch, the visionary filmmaker known for “Twin Peaks” and “The Elephant Man,” was an artist in more than one sense of the word. He was an experimental rocker and sound designer whose ...

David Lynch, who co-created “Twin Peaks” and directed films such as “Blue Velvet” and “Mulholland Drive,” has died. He was 78. Lynch’s family revealed his passing via social media on ...

David Lynch, the American filmmaker, writer and artist who scored best director Oscar nominations for Blue Velvet, The Elephant Man and Mulholland Drive and co-created the groundbreaking TV ...

David Lynch, the stylish director behind mega-hits like Twin Peaks, Blue Velvet and Eraserhead, has died. He was 78. Variety reported the news today, citing a Facebook post from Lynch’s family ...

Lynch later told Chris Rodley that at the conclusion of the ordeal, “I was almost dead. Almost dead!” However, Lynch’s second film for De Laurentiis defined the contours of his mature style.